Ableton Live - 7.0 LE manuels

Ableton Live 7 LE

1

Welcome to Live

3

1.2.3 Better Tempo Control

4

1.2.5 Device Improvements

4

CHAPTER 1. WELCOME TO LIVE 3

5

First Steps

6

The Info View and its

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Show/Hide Button

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2.2 Setting up Preferences

8

2.3 The Main Live Screen

9

Adjusting the Main

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Window Split

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Unlocking Live

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3.2 Step 2: Unlocking Live

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3.2.3 Unlocking Online

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3.2.4 Unlocking Ofine

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3.3 Copy Protection FAQs

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CHAPTER 3. UNLOCKING LIVE 13

15

Live Concepts

16

4.2 Arrangement and Session

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4.3 Tracks

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4.4 Audio and MIDI

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4.5 Audio Clips and Samples

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4.6 MIDI Clips and MIDI Files

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4.7 Devices and the Mixer

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CHAPTER 4. LIVE CONCEPTS 21

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CHAPTER 4. LIVE CONCEPTS 22

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Live's Crossfader

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A MIDI Effect, an

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Instrument and an Audio

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Effect in a MIDI Track

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4.8 Presets and Racks

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4.9 Routing

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4.10 Recording New Clips

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4.11 Automation Envelopes

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4.12 Clip Envelopes

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4.13 MIDI and Key Remote

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4.14 Saving and Exporting

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4.15 The Library

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Choosing the Library

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Bookmark

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Managing Files and Sets

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Library Is this

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Browser's Root

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The File Browser's

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Parent Folder Item

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A Folder in the Browser

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5.1.2 Browser Bookmarks

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5.1.3 Searching for Files

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Activating Browser

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Search Mode

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The Search Field and Go

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5.1.4 Previewing Files

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The Preview Volume

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Dropping a Clip to

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Create a New Track

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5.1.7 Hot-Swap Mode

42

5.2 Sample Files

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5.2.1 The Decoding Cache

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5.2.2 Analysis Files (.asd)

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5.2.3 File Pre-Analysis

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5.2.4 Exporting Audio

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The Rendered Track

46

Chooser

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Audio Rendering

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Options

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5.3 MIDI Files

48

5.4 Live Clips

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5.5 Live Sets

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5.5.2 Merging Sets

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5.5.4 Template Sets

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5.6 Live Projects

55

A New Project Was

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Added Next to Tango

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Project

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Added by Saving a Live

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Set Outside its Original

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5.6.2 Projects and Presets

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5.7 The Live Library

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The Library Location

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Unavailable Library

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Locations can be

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Cleared from the List

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5.8 Locating Missing Samples

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5.8.1 Manual Repair

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5.8.2 Automatic Repair

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Automatic Repair

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Options in the File

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Manager

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Options for Collecting

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External Samples

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The File Manager's

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Collect and Save Button

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5.11 Finding Unused Samples

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5.13 File Management FAQs

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Folder Structure?

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Arrangement View

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6.1 Navigation

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6.2 Transport

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Scrubbing Arrangement

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Playback

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Setting the Play Position

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Position Fields

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Using Locators to

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Launch Play in the

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Arrangement

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The Locator Controls

76

6.4 Time Signature Changes

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6.5 The Arrangement Loop

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6.6 Moving and Resizing Clips

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6.7 Selecting Clips and Time

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6.8 Using the Editing Grid

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A Gap Between Clips

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Has Been Deleted by

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First Selecting It, Then

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Executing the Delete

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Time Command

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6.10 Splitting Clips

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6.11 Consolidating Clips

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Consolidating Several

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Clips Into a New Clip

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Session View

86

7.1 Session View Clips

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7.2 Tracks and Scenes

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These Scenes Will

89

Change the Tempo and

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Time Signature

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7.3 The Track Status Fields

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7.4.1 Select on Launch

91

7.4.3 Editing Scenes

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CHAPTER 7. SESSION VIEW 91

93

The Stop All Clips

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Clip View

95

CHAPTER 8. CLIP VIEW 94

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The Clip View for an

97

Audio Clip

97

CHAPTER 8. CLIP VIEW 96

98

8.1 The Clip Box

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8.1.3 Clip Signature

100

8.1.4 Groove

100

8.1.5 Clip Offset and Nudging

101

8.2 The Sample Box

102

The Clip Zoom/Scroll

103

The Follow Switch

104

The Clip Start and End

104

Markers

104

The Clip Overview

104

Using Clip Start and End

105

Controls to Change Clip

105

The Clip Scrub Area

105

The Clip Loop Controls

106

Setting the Clip to Run

107

Into a Loop

107

8.2.3 Clip Pitch and Gain

108

The Save Default Clip

109

The High Quality Switch

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8.2.8 Clip RAM Mode

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8.2.9 Reversing Samples

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8.2.10 Cropping Samples

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8.3 The Notes Box

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8.3.3 MIDI Loop/Region

114

Tempo Control and Warping

115

9.2 Time-Warping Samples

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9.2.1 Tempo Master/Slave

117

9.2.2 Warp Markers

118

9.2.3 Using Warp Markers

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A One-Bar Loop as It

120

Appears in the Clip

120

View, by Default

120

Setting the Warp

121

Markers for a Poorly Cut

121

Using Warp Markers to

122

Manipulate the Groove

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Auto-Warp's Results in

123

The Metronome Switch

123

Using the Context Menu

124

Three Selected Warp

126

9.3.1 Beats Mode

127

9.3.2 Tones Mode

127

9.3.3 Texture Mode

127

9.3.4 Re-Pitch Mode

128

Chapter 10

129

10.2 The MIDI Editor

130

Previewing MIDI Notes

131

Note Scale Position Is

131

Shown Vertically and

131

Beat-Time Horizontally

131

MIDI Editor Navigation

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The Control Bar's Follow

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The MIDI Clip Scrub

133

10.4 Editing MIDI

134

10.4.3 Grid Snapping

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Quantizing MIDI Notes

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Copying (Left) and

137

Pasting (Right) a Loop

137

10.4.6 Changing Note Length

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10.4.7 Editing Velocities

139

Drawing Identical

140

Velocities (Left) and a

140

Crescendo (Right)

140

10.4.8 Deactivating Notes

141

Launching Clips

142

11.2 Launch Modes

143

11.3 Clip-Level Quantization

144

11.4 Velocity

144

11.5 Legato Mode

145

11.6 Follow Actions

145

The Follow Action

146

Controls

146

11.6.2 Creating Cycles

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Routing and I/O

151

12.1 Monitoring

152

Audio and MIDI Track

153

Arm Buttons

153

12.2 Exter nal Audio In/Out

154

12.3 Exter nal MIDI In/Out

154

The MIDI Ports List in

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Activating the Computer

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MIDI Keyboard

155

12.4 Resampling

156

12.5 Inter nal Routings

157

Two Ways to Route Track

158

A into Track B

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Tap Points for Track

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Routing

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Tap Points for Every

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Chain in a Track

160

An Example Setup for

161

Post-Effects Recording

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Recording the Output of

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Audio Tracks

162

Submixing the Individual

163

Drums of a Drum Kit

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Using Impulse's

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Individual Outs to

165

Separately Process

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Sample Slots

165

Tracks Feeding MIDI to

166

From the Parts of a

166

Multi-Timbral

166

Instrument

166

Routing a Speech Signal

167

Into a Vocoder's

167

Sidechain Input

167

Using an Auxiliary MIDI

168

Track to Layer

168

Instruments

168

Chapter 13

169

The Session View Mixer

170

The Mixer Section

171

Selectors

171

The Mixer Controls

171

13.1.1 Session Mixer Features

172

13.2 Audio and MIDI Tracks

173

The Send Controls and

174

Pre/Post Toggle

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The Crossfader and

175

Selector

175

Choose from Seven

176

Crossfader Curves

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Crossfader Curve

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Properties

176

Crossfade Assign

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Buttons

177

13.5 Soloing and Cueing

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13.6 Track Delays

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CHAPTER 13. MIXING 178

180

Recording New Clips

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14.3 Recording

183

Recording a New Clip

185

Into the Session View

185

14.4 Recording in Sync

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14.6 Recording with Count-in

188

14.7 Setting up File Types

189

The Scene Up/Down

190

A Track Launch Button

190

Working with Instruments and

191

Devices in the Track

192

Devices Can Be Folded

192

15.1 Using the Live Devices

193

MIDI and Audio Track

194

A MIDI Track's Device

195

Chain Can Contain All

195

Three Device Types

195

Device Activator

195

Switches

195

15.1.1 Live Device Presets

196

Presets in the Device

197

Browser

197

The Hot-Swap Presets

197

The Save Preset Button

198

The Default Presets

198

15.2 Using Plug-Ins

199

The Plug-In Device

200

A VST Plug-In in the

201

Track View

201

The Plug-In Unfold

201

The Plug-In Edit Button

202

15.3 VST Plug-Ins

203

Setting up VST Plug-In

204

Sources for Windows

204

Sources for Mac OS X

204

15.3.2 VST Programs and Banks

205

15.4 Audio Units Plug-Ins

207

Opening an Audio Units

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Plug-In Window

208

Chapter 16

209

16.1 An Overview of Racks

210

16.2 Drum Racks

211

16.2.1 Pad View

212

16.3 Mixing With Racks

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Mixing Rack Chains in

214

Chapter 17

216

17.2 Deleting Automation

217

17.3 Overriding Automation

217

Automation Envelopes

218

17.4.1 Drawing Envelopes

219

17.4.2 Editing Breakpoints

220

17.4.3 Locking Envelopes

221

17.4.4 Edit Menu Commands

222

Clip Envelopes

223

18.1 The Clip Envelope Editor

224

18.2 Audio Clip Envelopes

225

The Transposition

227

Envelope with Steps

227

(Top) and Ramps

227

(Bottom)

227

18.2.4 Scrambling Beats

228

and the modulation

229

Envelope

229

18.3.2 Modulating Pan

231

A MIDI Controller Clip

232

Envelope

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Using a Clip Envelope to

233

Create a Fade-Out Over

233

Several Repetitions of a

233

The Sample (Left) and

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Envelope (Right) Start

234

18.5.4 Clip Envelopes as LFOs

235

Live Audio Effect Reference

236

controls dene the

238

19.2 Auto Pan

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19.3 Beat Repeat

240

19.4 Chorus

242

19.5 Compressor

243

19.5.1 Sidechain Parameters

246

19.5.2 Compression Tips

247

19.6 Dynamic Tube

248

19.7 EQ Eight

250

19.8 EQ Three

251

19.9 Erosion

253

19.10 Filter Delay

254

19.11 Flanger

255

19.12 Gate

256

19.13 Grain Delay

258

19.14 Phaser

259

19.15 Ping Pong Delay

261

19.16 Redux

262

19.17 Resonators

263

19.18 Reverb

264

19.18.1 Input Processing

265

19.18.2 Early Reections

265

19.18.3 Global Settings

265

19.18.4 Diffusion Network

266

19.19 Saturator

267

19.20 Simple Delay

269

19.21 Spectrum

270

19.22 Utility

271

19.23 Vinyl Distortion

272

Live MIDI Effect Reference

274

Con & Diverge

276

Pinky Up and Pinky

276

UpDown

276

Thumb Up and

276

Thumb UpDown

276

20.2 Chord

278

20.3 Note Length

279

20.4 Pitch

280

20.5 Random

281

20.6 Scale

282

20.7 Velocity

283

Live Instrument Reference

285

21.1 Impulse

286

21.1.3 Filter

287

21.1.4 Saturator and Envelope

288

21.1.5 Pan and Volume

288

21.1.6 Global Controls

288

21.1.7 Individual Outputs

288

21.2 Simpler

289

21.2.2 Sample Controls

290

21.2.3 Zoom

290

21.2.4 Envelope

291

21.2.5 Filter

291

21.2.6 LFO

291

21.2.7 Glide and Spread

292

21.3.1 EIC Installation

294

MIDI and Key Remote Control

296

22.1 MIDI Remote Control

297

Control Surfaces Can

299

Follow Device Selection

299

Getting Hands-On:

299

Control Surfaces Can Be

299

Locked to Devices

299

Dening Control

300

Surfaces Manually

300

22.1.3 Takeover Mode

301

22.2 The Mapping Browser

302

22.2.2 Mapping to MIDI Notes

303

and Twos

305

065127 063001

305

The Relative Session

306

Mapping Strip

306

The Key Map Mode

307

22.3 Mackie Control

308

22.3.1 Channel Strips

309

The V-Pots and

311

Assignment Switches

311

Bank, Channel, Flip and

313

Return Buttons

313

22.3.4 Transport

315

The Software-Specic

318

Computer Audio Resources and

320

Strategies

320

The CPU Load Meter

321

23.2 Managing the Disk Load

322

Live 7 Audio Fact Sheet

324

24.2 Neutral Operations

325

24.2.7 Freeze, Flatten

328

24.2.8 Bypassed Effects

329

24.2.9 Routing

329

24.2.10 Splitting Clips

329

24.3 Non-Neutral Operations

330

24.3.3 Volume Automation

331

24.3.4 Dithering

332

24.3.7 Consolidate

332

24.3.8 Clip fades

333

24.3.9 Panning

333

24.3.10 Global Groove Changes

333

24.5 Summary and Conclusions

334

Live 7 MIDI Fact Sheet

335

25.2 MIDI Timing Problems

336

25.5 Tests and Results

339

MIDI Output Test

341

Conguration

341

25.7 Summary and Conclusions

342

Live Keyboard Shortcuts

343

26.2 Accessing Menus

344

26.3 Adjusting Values

344

26.4 Browsing

345

26.5 Transport

345

26.6 Editing

346

26.8 Session View Commands

347

26.10 Commands for Tracks

348

26.15 Clip View MIDI Editor

350

26.17 Global Quantization

351

26.20 Using the Context Menu

353

Chapter 27

354

Live 7 LE Live 7

356

INDEX 356

358

INDEX 357

359

INDEX 358

360

INDEX 359

361

INDEX 360

362

INDEX 361

363

INDEX 362

364

INDEX 363

365

INDEX 364

366

INDEX 365

367

INDEX 366

368

Modèles	Type de document
Live - 6.0 LE	Manuel d'utilisateur Ableton Live - 6.0 LE Reference Manual, 351 pages
Live - 5.0	Manuel d'instructions Ableton Live - 5.0 Instruction Manual, 374 pages
Live - 9.0	Manuel d'utilisateur Ableton Live - 9.0 Reference Manual, 611 pages
Live Intro	Manuel d'instructions Ableton Live Intro Instruction Manual, 410 pages
Live - 6.0	Manuel d'utilisateur Ableton Live - 6.0 Reference Manual, 387 pages
Live	Manuel d'utilisateur Setting up the MPK49 and MPD32 with Ableton Live, 16 pages

Ableton Live - 7.0 LE manuels

Ableton Live - 7.0 LE Manuel d'utilisateur (368 pages)

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